Tintype have bucked the trend for gallery closures in the Xmas week yet they can still luxuriate in a well-earned break by screening films as their window display. Is it worth braving the cold, standing on the pavement for 45 minutes to watch the eight short films from different contemporary artists all inspired by Essex Road in Islington? Three of them have outstanding narrative drive and one of them is “interesting”. All have some merit. Wrap up and pick a time when there will be fewer revellers/commuters to interrupt your viewing pleasure.
The multi-talented Alice May Williams has shown her mastery of wit and timing yet again in her subtitled story of unrequited love, told against a montage of iconic media lesbian couples. MI artists rarely have the skills to produce their own text, images and music that complement each other so neatly. The synchrony of these three elements was as hypnotic as in her Jerwood/FVU award-winning film, Dream City. MI artists that rely on others to provide words and/or sound track (and that means the vast majority of them, William Kentridge comes most recently to mind ) cannot hope to achieve this level of aesthetically pleasing coherence. Among the many chuckle-inducing touches was the use of different buses (the 38 and 73!!) to represent the incompatible romantic destinations of the film’s two protagonists.
Lynne Marsh was fortunate to discover that the 1930’s Carlton Cinema on Essex Road was the common habitat for two contrasting species; restoration workers and evangelical worshippers, hence the title of her apparently simple yet highly effective film Resurrection /Restoration. The subtle edit switched rhythmically from the fervent gospel singers to the buzzsaws of the builders and the closing shot was a revelation as we see the coming glory of the refound theatre auditorium in its entirety. Heritage and recycling are both “good things” to hang onto in this disposable era.
Andrea Luka Zimmerman’s atmospheric and gripping film presents a nightmarish impressionistic portrait of the gritty and depressing life of the homeless on the streets of Islington through the eyes of an archetypal “black dog”. The parallel perils of being a stray dog and a street sleeper reinforce the degradation they both suffer. Very moving.
Amikam Toren’s minimal and subversive art has always appealed to me. In Going Nowhere two coordinated looped images on a split screen spark some thoughts. A helicopter (air ambulance?) repeatedly approaches its rooftop landing pad but then goes into reverse. In the adjoining image a young man paces aimlessly up and down a row of shops whirling a chain around his finger. Are we are just going round in circles making the most of our lives until we run out of rope?
ESSEX ROAD III is showing at Tintype daily from 4-11pm until 14 January. Worth a look if it’s not too chilly.